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But no bank gets to be the end of the story. So, plan B, the peculiar plan. Every month, I turn one of my landscape studies of that month into an archival print, add the field notes—the location, the weather, the observations, the thoughts—and mail them to you. It is an absurdly slow way to buy a house and a grange. Conveniently, I like absurdly slow detours when I walk. They often reveal wonders.

Your subscription pays for what arrives in your hands; whatever remains goes into the house-shaped jar. One correspondence at a time, we may eventually arrive at a house and grange, or we may wander somewhere entirely different. Either way, I’ll have good stories to tell, and you’ll have some very good prints to keep.